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Showing posts with label bluebonnets. Show all posts
Showing posts with label bluebonnets. Show all posts

Tuesday, April 04, 2017

A Tip for Painting Bluebonnets

'Celebrate Spring'         5x7        pastel        ©Karen Margulis
 I am headed to the Texas Hill Country for my 3rd annual plein air workshop. Last year I had the honor of co-teaching with Marsha Savage. We stopped in Dripping Springs on our way to the Plein Air Convention. That was a great adventure!  This year I am on my own but I am looking forward to painting and sharing in this beautiful part of the country.

I am tuning up my pastel box making sure I have a good selection for the Hill Country and I painted  this small study to test my selection.  I took some photos of the progress so you can see how I build up a field of Bluebonnets.

THINK BIG BEFORE GOING SMALL

Look at the first layer of the painting below. Do you notice anything unusual?

The first layer rubbed in with pipe insulation
The bluebonnets are not a very big or tall flower so I need to be careful to avoid getting too spotty when I paint them. To do this I think BIG. I choose the color of the flower which is a blue to blue violate and I paint a large blue shape where I want the patch of flowers.  Paint the mass before painting the individual flowers.


Adding the grass on top go the blue mass
I develop the painting by working on the trees in the distance and then I am ready to lay in the grass. Starting in the distance I choose a light and cooler green. I gradually use a more intense brighter green for the middle ground. As I approach the mass of bluebonnets I add touches of the green in and around the blue shape. This gives the illusion of a patch of blue flowers peeking through the grass.

Adding some cooler grass in the shadows and some violets to the blue mass
The final step is to go SMALL. It is time to paint a few of the blooms. I want to paint an impression of the filed of bluebonnets so it is not necessary to paint every bloom. I just need to paint a few and I put them where I want the viewer's eye to look. They become and important part of the design and help lead the eye into the distance.


Wednesday, December 28, 2016

Mini Week...Protecting Pastel Paintings on the Go: Art Hack!

'Hill Country Magic'        2.5 x 3.5        pastel       ©Karen Margulis
available $25
Mini Week continues with a tip for storing those mini pastel paintings.  When I travel with pastels one of the important considerations is how to transport paper and the finished pastel paintings. As I discussed in a previous post, I like to use small plastic portfolio books by Itoya. The plastic sleeves protect my paper and the finished paintings until I get home. (there is very minimal pastel dust on the plastic sleeves) This has been an ideal solution.

It is ideal until I forgot to pack a portfolio book! They actually don't make them as small as 2.5x3.5 so I usually bring a small photo album from the Dollar Tree. I forgot that as well! In fact I was in the middle of my first painting on the cruise when I realized I didn't have a way to store and protect my paintings! Never fear....a solution was right in my beach bag!

'Spring Blues'     2.5 x 3.5     pastel      $25
I remembered that I had thrown the little notepad supplied in the cabin into my beach bag.  The notepad had about 20 pages and it would be perfect for my paintings! As I finished a painting I would place it face down in between the pages. I was able to get two paintings back to back on each page. I kept this notepad in a ziplock bag (I always have a few of these with me) It worked great!

When I got home I unloaded the notepad and the paintings survived without any damage! 
Tomorrow I will share more ideas for storage and display of minis.

Using a notepad to store and protect my paintings until I got home


Join me this spring in the Texas Hill Country! There are still some openings and I would love to share with you in a very beautiful place. This plein air workshop is suitable for any level. My goal is to simplify pastel and plein air and make it fun! Contact me for information or to register.karenmargulis@gmail.com



Monday, August 24, 2015

Paint in One of my Favorite Places in US


'Take Me Back To Texas'                11x14            pastel              ©Karen Margulis
sold
It was a place on my bucket list. I knew I would like it but I wasn't prepared to fall in love! It only took a drive into the countryside outside of Austin, Texas to know I would not only love it....I would be back! The Texas Hill Country during Bluebonnet season stole my heart!

Last April I was hosted by Marsha Young of the Butterfly Gallery in Dripping Springs Texas for a 3 day pastel workshop. The weather was wonderful, the Bluebonnets in bloom and everything begged to be painted. I was happy to share with a talented and enthusiastic group of artists. We learned a lot and made great memories.

I am happy to announce that I will be going back to this fantastic place next April! This time I will be team teaching with my good friend and fantastic artist, Marsha Savage. Marsha and I will be on a road trip on our way to Tuscon, Arizona for the Plein Air Convention. We couldn't resist planning a stop in Dripping Springs and Marsha Young was happy to host us again.

If you'd like to read a review of the last workshop visit my blog post (click here.) There is also a quick video of Mt Gainor Inn... one of the lodging choices and a painting location.

If the Texas Hill Country is on your bucket list consider joining us for up 3 day workshop next April. Details below.

April 9-11           'Painting the Texas Hill Country' team teaching with Karen Margulis and Marsha Savage
                            Dripping Springs, Texas

                            Saturday April 9 - Monday April 11th.

                            A  plein air workshop in the beautiful Texas Hill Country.
                            Paint the bluebonnets, wildflowers, barns and more!
                            Fee: $350. Lodging options in 2 local B&Bs are available.
                            contact Marsha Young for details and registration or you can register on
                            the Butterfly Gallery website here.



About today's painting: 11x14 on Uart 500. This was a demo painting for a private student. I began with a 4 value block-in with warm colors and did a dry wash. This scene was from one of the many photos I took  last April in Hill Country!

Saturday, May 09, 2015

How I discovered the Missing Color

'Flowers for Mom'              5x7                pastel              ©Karen Margulis
painting available on Etsy $50
It wasn't very exciting. I tried to use the secret of green to make it more interesting. I did an orange underpainting and added a few purple flowers. It still felt dull to me. It needed to go back to the drawing board.

What could I do to make this little wildflower painting more exciting?  I considered putting more emphasis on the white wildflowers. They all had soft edges so they didn't stand out from the grasses. I could choose a few to clarify and make them stars.  What other options did I have?

Back to the drawing board
 What if I chose to downplay the white flowers. I recalled the wonderful fields of poppies and bluebonnets that I recently saw in Texas. Maybe it would be better to introduce some red poppies into my meadow. So I did.

Still missing something
Now I had red poppies and hints of white flowers. It was still missing something. Bluebonnets! Of course my Texas Spring landscape needed some bluebonnets.  I still didn't feel the painting was finished. I decided to emphasize a few of the poppies. That helped but it was still not there.

What did the painting need? I remembered that the meadows were also filled with tiny yellow flowers. That is the missing color....Yellow!

The missing color was yellow
I sprinkled a few yellow flowers and finally felt good about the painting. Why did the yellow flowers work? The yellow, red and blue created a triadic color scheme. Now my flowers felt balanced. This led to automatic color harmony. It just feels complete.

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Thursday, April 30, 2015

Texas Bluebonnet Painting Demo

'Bluebonnets in Bloom'             8x10           pastel           ©Karen Margulis
painting available $150 click here
I didn't mean to use this surface for the painting. I wasn't thinking. I had extra oil paint on my palette from another underpainting so I pulled out a piece of paper to do another one. I thought I had picked a piece of white Pastel Premiere paper. It was odd because the oil paint soaked right in....no drips or spiderwebs. It wasn't Pastel Premiere after all. It was Multimedia Artboard....the unsanded kind....oops!  Follow along and see what I decided to do with it.


This is a oil stain underpainting on the Multimedia Artboard. Nice and rich but no cool drips. And it was very smooth. It needs some tooth for my pastels.


 I turn to my favorite tooth maker....Liquitex Clear Gesso. I apply this slightly gritty gesso over the dry oil paint. I use random brush strokes with a cheap brush to create some interesting texture.


Above is the wet gesso. Click to enlarge and see the brush strokes. You can also see my reference photo. I based the painting loosely on the reference photo.


Time for pastel. I begin with the dark areas. I use a dark purple and burgundy to block in the trees and the shadowed grasses in the foreground.


I layer some greens in the distant trees. It is a dense area of trees. I may introduce some sky. I outline the flower shapes so I know where they will grow.


I introduce some green into the grass. I also block in some of the distant and less important flowers with a pale lavender.


More green grass is added. The Bluebells are now blocked in with the darkest blue violet that I see in them.


More green into the shadows. I start to refine the bluebonnets with lighter blues and blue violets. I am choosing which flowers will be the star and which ones will have less detail. They will be the supporting cast.

This is my Bluebonnet Box. I chose a selection of blue and purple pastels that I like for my bluebonnets. Keeping them in a separate box keeps me from losing track of them.


More refinement in the flowers and grasses. It is easy to make them all the same so I have to slow down and think about each mark.


I decide to spray the foreground with workable fixative. I wanted the shadow areas to be darker. I decide to add a touch of sky with some pale blue and lavender.


Once the fixative was dry I scumbled some more green over the dark to create some textured grass. I add the finishing marks on my star bluebonnets and a few bright green blades of grass. Finished! I really liked how the texture of the gesso gives the illusion of texted grasses.(click on photo to see texture) It was a good choice of surface after all.