'Sunflowers on Blue' 8x10 pastel ©Karen Margulis sold |
I've blogged about it before but I've decided that we are often turned off from Canson when we are learning to paint with pastels. We struggle with it. We can't seem to get the results we see in other pastel paintings. I think for the most part this is due to our inexperience and our tools. We often are using hard or cheap student grade pastels. And we are very often heavy handed in our pastel application....this isn't a good combination for Canson.
- Canson requires softer pastels if you want nice juicy marks.
- It also requires a light touch to build layers
- Since it doesn't hold as many layers of pastels you need a plan. Know in advance your value plan and color palette so you are not experimenting and filling up the tooth of the paper.
- Try to get more tooth by lightly sanding your paper with fine sandpaper. This raises the nap of the paper giving more tooth to grip the pastel.
- I don't do wet underpaintings on Canson but I do know some artists will liquify pastel with a bit of rubbing alcohol which dries quickly.
- Experiment with the Canson colored papers. The middle gray papers work well for any subject. The warm reds, oranges and browns are nice for landscapes. The color of the paper will effect the mood of the painting so keep this in mind!
5 comments:
I fully agree with this post, the canson paper is fine paper for the portrait and model classes to do a la prima painting. Thanks for sharing al your knowledge !
Cheers from Holland
Very beautiful, Karen! Love your impressionistic style!
Thank you Joke and David! I appreciate your comments!
Lovely sunflowers Karen! Oh ...the latest issue of Patel Journal shows an ad for Canson "Touch" paper..looks much like the Art Spectrum Colourfix..wondered if you saw that...
Love the colors, that blue background is striking, and the perfect complement to the sunflowers.
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