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Monday, December 04, 2017

How to Simplify Winter Trees

'Winter Mosaic'          9x12         pastel        ©Karen Margulis
available $155
It wasn't the best subject to paint for a demo. But in the end it held an important lesson about choosing reference photos and making them work.

Photos are best used for inspiration. But you need to know what the inspiration is!

I was drawn to the photo that inspired today's painting. There was something about it that was exciting. It certainly wasn't the multitude of tangled branches and trees. I was so captivated by the wonderful contrast of the yellow light at the horizon agendas the darks of the trees. In fact I didn't even notice how busy and complicated the photo looked until my friends pointed it out. "I would have never chose that photo! " they told me.

I didn't notice the challenging aspects of the photo because I was so focused on the light at the horizon. That was a good thing though because I had a concept for the painting. I wanted to portray this light and the drama of the touch of warm light against the dark and cold. Knowing what I wanted to say allowed me to decide how I would say it.

my reference photo
I took a few minutes to think about how I would go about getting my message across. I decided I needed to simplify the trees and branches and even the snow on the ground. I would go crazy trying to put in all of those branches and they weren't really necessary.This would allow me to focus on depicting the light.

How to simplify?  I blocked in the big tree shape with a piece of charcoal. This gave me a nice two value underpainting....dark and light. I added some darker value neutrals to the tree mass before breaking up the big shape with the sky color. It was a slower than usual process as I used negative painting to carve the branches into the tree. I had more control this way and didn't get a tangle of  branches that looked stiff and unnatural.

For the distant bare trees I didn't paint individual branches. Instead I used a very light touch and added a middle value shape. This light touch allows the sky color to peek through giving the illusion of bare trees.

Starting with big shapes of light and dark and gradually carving into the shapes was a great way to depict winter trees. It helped me keep them simple and I didn't go crazy trying to copy all of the branches in a way to busy photo. The fun part was capturing the subtle yellow glow that drew me to the photo in the first place.

You can see the development of this painting this week on my Patreon page!

1 comment:

robertsloan2art said...

This is beautiful! Your negative painting is incredible, wonderful sky holes. I have trouble with those, but I've seen you handle them in such a masterful way. Love the strong lights and darks in this painting and the subtle color variations, it's so wintry.